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Boston Baroque Closes fiftieth Season with March Live performance and April Opera

Boston Baroque concludes its fiftieth season with two applications in March and April. First, Boston Baroque presents two works by Mozart—his “Jupiter” Symphony No. 41 and the Sinfonia concertante that includes soloists Christina Day Martinson, violin, and Jason Fisher, viola. Lastly, the season involves a detailed with a brand new manufacturing of Gluck’s opera Iphigénie en Tauride starring Wendy Bryn Harmer, William Burden, and Jesse Blumberg.

Audiences close to and much may have the chance to affix Boston Baroque for each applications, as we welcome stay studio audiences on website at GBH’s Calderwood Studio and NEC’s Jordan Corridor, and digital audiences around the globe by way of livestream on IDAGIO. This season, Boston Baroque’s digital audiences have spanned throughout 5 continents (North America, South America, Asia, Europe, and Australia) and over 22 nations.

The March concert events will happen on Saturday, March twenty fifth at 8pm at GBH’s Calderwood Studio, and Sunday, March twenty sixth at 3pm at NEC’s Jordan Corridor. These performances may have no intermission. The Saturday 8pm efficiency can be streamed stay on IDAGIO, and accessible to lease on-demand for 30 days following the stream.

Led by Founding Music Director Martin Pearlman, this glowing all-Mozart program begins with the charming Sinfonia concertante-or a number of concerto-for violin and viola, final heard on the Boston Baroque stage in 1998. Soloists Christina Day Martinson, violin, and Jason Fisher , viola, shine on this enchanting concerto. This system ends with Mozart’s beloved “Jupiter” Symphony No. 41, one of many composer’s remaining works by him.

Boston Baroque’s performances of Gluck’s opera Iphigénie en Tauride will happen on Thursday, April twentieth at 8pm, Friday, April twenty first at 8pm, and Sunday, April twenty third at 3pm at GBH’s Calderwood Studio. The 8pm efficiency on April twenty first can be streamed stay on IDAGIO, and accessible to lease on-demand for 30 days following the stream.

The opera will come to life within the fingers of conductor Martin Pearlman, internationally-renowned stage director Mo Zhou, and an excellent solid. Metropolitan opera star Wendy Bryn Harmer will debut the titular function of Iphigénie, with fellow Metropolitan star William Burden as Pylade, Jesse Blumberg as Oreste, and David McFerrin as Thoas. The brand new manufacturing marks the primary time Boston Baroque returns to the work in over 20 years—final heard on stage in 1999 with Christine Goerke within the title function.

Livestream director Matthew Principe will take the helmet for each applications, in partnership with GBH’s Manufacturing Group, bringing a luxurious live performance expertise on-line with fastidiously crafted digicam angles and dynamic lighting.

Each in-person and livestream tickets can be found for buy on-line at or by calling the Field Workplace at (617) 987-8600. Livestream tickets start at $9, and in-person tickets vary from $25-$125. The digital efficiency will change into accessible to stream on-demand 30 days after the stay air date, with on-demand leases starting at $9.

The six-time GRAMMY-nominated Boston Baroque is the primary everlasting Baroque orchestra established in North America and, in accordance with Fanfare Journal, is extensively thought to be “one of many world’s premier interval instrument bands.” The ensemble produces full of life, emotionally charged, groundbreaking performances of Baroque and Classical works for in the present day’s audiences carried out on devices and utilizing efficiency strategies that replicate the eras through which the music was composed.

Boston Baroque has expanded its attain globally by its partnership with IDAGIO, the world’s main classical music streaming service. Its 2021-2022 Season was the primary full season by a Baroque orchestra to stream on the platform, and introduced collectively digital audiences from throughout 5 continents (North America, South America, Asia, Europe, and Australia) and over 17 nations.

Based in 1973 as “Banchetto Musicale” by Music Director Martin Pearlman, Boston Baroque’s orchestra consists of among the best interval instrument gamers in america, and is often joined by the ensemble’s skilled refrain and by world-class instrumental and vocal soloists. from across the globe. The ensemble has carried out at main music facilities throughout america and carried out lately in Poland for the 2015 Beethoven Competition, with sold-out performances of Monteverdi’s Vespers of 1610 in Warsaw and Handel’s Messiah in Katowice.

Boston Baroque reaches a global viewers with its twenty-six acclaimed recordings. In 2012, the ensemble grew to become the primary American orchestra to file with the highly-regarded UK audiophile label Linn Information, and its launch of The Creation acquired nice important acclaim. In April 2014, the orchestra recorded Monteverdi’s not often carried out opera, Il Ritorno d’Ulisse in patria, which was launched on Linn Information and acquired two nominations on the 2016 GRAMMY Awards.

Boston Baroque’s recordings have acquired six GRAMMY Award Nominations: its 1992 launch of Handel’s Messiah, 1998 launch of Monteverdi’s Vespers of 1610, 2000 launch of Bach’s Mass in B Minor, 2015 launch of Monteverdi’s Il Ritorno d’Ulisse in patria, and 2018 launch of Biber’s The Thriller Sonatas.


Boston Baroque founder, music director, and conductor Martin Pearlman is one in every of this nation’s main interpreters of Baroque and Classical music on interval and trendy devices. Along with Boston Baroque’s annual live performance season, Mr. Pearlman excursions in america and Europe and has produced twenty-six main recordings for Telarc and Linn Information. Mr. Pearlman’s completion and orchestration of music from Mozart’s Lo Sposo Deluso, his performing model of Purcell’s Comical Historical past of Don Quixote, and his new orchestration of Cimarosa’s Il Maestro di Cappella had been all premiered by Boston Baroque.

Highlights of his work embody the whole Monteverdi opera cycle, along with his personal new performing editions of L’incoronazione di Poppea and Il ritorno d’Ulisse; the American premiere of Rameau’s Zoroastre; the Boston premiere of Rameau’s Pygmalion; the New England premieres of Gluck’s Iphigénie en Tauride and Alceste; and the Beethoven symphonies on interval devices. Mr. Pearlman can be recognized for his internationally acclaimed collection of Handel operas together with Agrippina, Alcina, Giulio Cesare, and Semele. He made his Kennedy Heart debut with The Washington Nationwide Opera in Handel’s Semele and has visitor performed the Nationwide Arts Heart Orchestra of Ottawa, Utah Opera, Opera Columbus, Boston Lyric Opera, Minnesota Orchestra, San Antonio Symphony and the New World Symphony. Mr. Pearlman is the one conductor from the early music area to have carried out stay on the internationally televised GRAMMY Awards present.

Mr. Pearlman grew up in Oak Park, Illinois, the place he acquired coaching in composition, violin, piano, and concept. He acquired his Bachelor of Arts diploma from Cornell College, the place he studied composition with Karel Husa and Robert Palmer. In 1967-1968, he studied harpsichord in Amsterdam with Gustav Leonhardt on a Fulbright Grant, and in 1971 he acquired his Grasp of Music in composition from Yale College, learning composition with Yehudi Wyner and harpsichord with Ralph Kirkpatrick. After shifting to Boston, he carried out extensively as a solo harpsichordist within the US and Europe, and in 1973 he based the primary American period-instrument orchestra, Banchetto Musicale, now known as Boston Baroque. He additionally served as Professor of Music within the Historic Efficiency division at Boston College’s College of Music.

Latest compositions by Martin Pearlman embody a string quartet, piano works, a comic book chamber opera The Life and Opinions of Tristram Shandy, a three-act work on Finnegans Wake, in addition to The Creation In line with Orpheus, for solo piano, harp, percussion and string orchestra. He has additionally composed music for 3 performs of Samuel Beckett, commissioned by and premiered at New York’s 92nd Avenue Y and carried out at Harvard College.


March 25, 2023 at 8pm*

GBH Calderwood Studio (Brighton)

*Efficiency streamed stay on IDAGIO and accessible on-demand for 30 days

March 26, 2023 at 3pm

NEC Jordan Corridor (Boston)

MOZART: Symphony No. 41, “Jupiter”

MOZART: Symphony concertante

Christina Day Martinson, violin

Jason Fisher, viola

April 20, 2023 at 8pm

April 21, 2023 at 8pm*

April 23, 2023 at 3pm

GBH Calderwood Studio (Brighton)

*Efficiency streamed stay on IDAGIO and accessible on-demand for 30 days

Opera: GLUCK’s Iphigénie en Tauride

Wendy Bryn Harmer, Iphigénie

Jesse Blumberg, Oreste

William Burden, Pylade

David McFerrin, Thoas

Mo Zhou, stage director

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