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Lengthy Seashore Jazz Competition Hosts A Waterside, Music-Crammed Weekend With JBL Skilled Options

To make sure clear, impactful stay sound with broad, even protection for the Lengthy Seashore Jazz Competition, AV integrator Flag Methods deployed a dynamic choice of JBL Skilled options.

That includes headliners Robert Glasper, Ledisi and Sergio Mendes, 2022’s Lengthy Seashore Jazz Competition passed off at Rainbow Lagoon Park for lovely waterside views as followers loved an eclectic mixture of jazz, soul and R&B. Whereas the situation was a pristine setting for a weekend of laid-back jazz, the stage wanted an audio rig with sufficient protection to achieve audiences on each side of the lagoon, whereas additionally contemplating the stage’s restricted top and house. To fulfill these necessities, Flag Methods designed a sound reinforcement system completely that includes JBL VTX and VRX Collection options.

“When you’ve ever seen the positioning, you recognize one of many important challenges is that there is a lake proper behind the front-of-house,” mentioned Kevin Kelly, Engineer, Flag Methods. “You do not have to cowl the lake itself, however the viewers goes round either side of the lake, and so we needed to penetrate pretty far. The opposite important problem with this specific occasion is that the stage will not be excessive sufficient to do a much bigger array.I’ve at all times felt it is wanted to be a 10-to-12 deep hold to cowl it appropriately, however the backside facet of the highest truss is simply 28 toes, and so hanging that many bins would put the underside of the arrays beneath the peak of the stage.”

The rig consisted of left and proper hangs of eight VTX V25-II-CS line array audio system every, giving the audio crew each high-impact sound and no-fuss rigging. That includes a complicated HF Waveguide and JBL’s patented Radiation Boundary Integrator expertise housed in a light-weight enclosure and superior easy-rigging system, the V25 supplied the protection and output wanted to achieve followers all through the competition grounds whereas working inside the stage space’s measurement limitations.

Moreover, the stage left space included 4 JBL VTX A12 line array audio system alongside the principle left hangs for strengthened protection for the lagoon’s extra pronounced curvature on one facet. With specifically designed JBL transducers that assure most output relative to the speaker’s measurement and weight, the A12 gives as much as 90-degree dispersion and dynamic readability even in any respect quantity ranges. These audio system gave the stage left space the additional protection and output wanted to achieve audiences whereas solely including minimal further setup.

“The A12s throw exceptionally,” added Kelly, “And the separate EQ controls and delay timing stack actually helped. They had been bodily possibly a foot and a half in entrance of the principle hold, so there was little or no delay required to only line it up and sound coherent. The one largest problem I had with mixing was the acoustic grand piano, and the A12s made it straightforward to EQ the piano to be stage with every thing else.”

For the entrance fills, 4 JBL VRX932LA-1 two-way line array audio system supplied the output and suppleness wanted to work inside the stage’s restricted top whereas nonetheless reaching each viewers member. Loaded with neodymium magnet Differential Drive woofers and 2408J Annular Ring Diaphragm HF drivers, the VRX932LA-1 supplies each detailed highs and resonating low finish throughout a large subject of protection. Moreover, the speaker contains each a twin angle pole socket and easy-to-use rigging {hardware} for easy and versatile setup choices appropriate for any sort of venue.

“I’ve to let the FOH engineers know that the subs could be a bit heavy for these $175 seats down entrance,” Kelly defined. “They’ve to come back down a few dB in consequence, and I perceive what they’re making an attempt to perform, however you need to do what’s general greatest for all the venue and occasion. That is typical with all subs, however the S28 handles that stability fairly effectively.”

Lastly, 18 JBL VTX S28 subwoofers positioned all through the rig supplied immersive, distortion-free low finish due to their twin 18-inch 2269H transducers with Differential Drive expertise. Designed to accommodate a spread of venue sizes, the S28 gives a cardioid mode for further rear rejection and thrives each ground-stacked or suspended due to the identical quick-rigging system discovered within the V25. The subs additionally helped the sound groups discover the appropriate stability between reaching distant audiences with out overwhelming the close-up VIP part with low finish.

Followers of the Lengthy Seashore Jazz Competition have loved JBL’s audio system for years, and this newest iteration was no exception. Kelly thanked JBL and HARMAN’s continued help of Flag Methods and praised the constant high quality throughout JBL’s line of options.

“The entire visitor engineers beloved the rig,” mentioned Kelly. “We love JBL’s audio system, too. We’re an all JBL home; we in all probability have effectively over a thousand JBL audio system in our stock, and we have very hardly ever needed to change a element through the years. The audio system, the drivers, all of them maintain up. We recognize HARMAN’s ongoing help.”

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