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Zach Pietrini Kills in ‘Rock & Roll is Lifeless’ » City Milwaukee

Zach Pietrini. Picture by Andrew Feller.

Fifteen years in the past, rock & roll modified the trajectory of zach pietrini‘s life.

Pietrini has traveled everywhere in the nation, enjoying his music for buddies and followers alike within the years since he determined to dedicate his life to music. It has additionally given him an outlet to precise himself throughout two full-length albums and a handful of EPs and singles, and it is a part of the explanation he moved from Chicago to Milwaukee – town he now calls residence together with his spouse and three kids.

But the title of Pietrini’s newest launch, Rock & Roll is Lifelessmeans that Pietrini has shifted his perspective on a way of life that has consumed his life for over a decade.

Which is true – to an extent.

Rock & Roll is Lifeless is the sophomore full-length launch from Pietrini – an introspective album that explores Pietrini’s previous, current and future throughout the world of music throughout 12 Americana tracks. And inside that exploration of his musical profession comes reflections on real-life experiences which have influenced his songwriting and vice-versa – making Rock & Roll is Lifeless not solely a criticism on the state of the music trade, however an unpacking of how Pietrini’s musical journey has modified him as an individual.

“It is about discovering out who you might be, and who you are not,” Pietrini acknowledged in a press launch. “It is about loving one thing despite the fact that it does not work out. It is an sincere introspection of self.”

Rock & Roll is Lifeless opens with “Lifeless Finish City,” a monitor that wears its bruce springsteen and Tom Petty influences on its sleeve. There is a sense of eager for the open highway obvious right here – Pietrini sings about leaving a city the place “All the homes look the identical.” It is an applicable opener to the album given the “Let’s begin a rock & roll band, depart this city and by no means come again” angle it carries with it. However issues aren’t at all times fairly so simple as they seem, because the listener learns as quickly because the second monitor.

“Walked out the Door” is a somber break-up music that instantly pumps the brakes on the opener’s driving power. And so, throughout the first two tracks of the album, Pietrini has laid out each the highs and lows of being a working-class musician – the joy of getting on the market and enjoying your music in entrance of followers (ala the opening monitor), and the heartbreak of feeling caught and lamenting that a possibility for a much bigger future has walked out the door.

Afterward within the album, “Seventeen,” which was launched because the second single from the album, explores the advanced tug of nostalgia and reminiscences – suggesting that even unhealthy reminiscences can generally carry helpful life classes. Pietrini sings, “Simply hurling by way of the suburban city once more/Questioning what the hell was I pondering?”

“I wrote the music about all the issues which you could’t see if you suppose every thing goes to be positive,” Pietrini says. “It form of echoed into the state of affairs with my mother, who died of most cancers. There is a connection level of youthful reminiscence of driving my automotive and using bikes across the suburbs.”

The music is fantastically paired with a music video directed by Brian Klewin and shot by TradeMark Media that reveals Pietrini returning to his hometown of Arlington Heights, hopping on bicycles with buddies and using down the streets which have turn out to be like previous, distant buddies.

“It was actually cathartic to get to try this once more and have that youthful power – permitting myself for a second to be a youngster once more and relive it with some stage of perspective.”

That monitor is adopted by “What Are We Now,” the lead single off the album. Punchy indie-rock chords carry the power again up, and Pietrini retains the listener eager for the return of the monitor’s catchy refrain. He seals the take care of a bridge in direction of the top of the music that culminates with the remainder of the band reducing out – leaving simply Pietrini’s voice to maintain listeners on the sting of their seats earlier than he launches again into the refrain. Lyrically, the music questions how, as we grow old, we deal with the fallout from relationships gone bitter – there’s a lot extra at stake when, for instance, a whole household is affected by a selection or an motion.

The album involves an in depth with the headline “Rock & Roll is Lifeless.” It is a slow-burning, melancholic farewell to the music trade. Pietrini sings “I used to be born for a distinct age/Is it so fallacious to suppose that these songs might save our souls?” However earlier than lengthy, Pietrini builds up into an enormous, anthemic sing-a-long. He turns into virtually unconvincing in his personal message from him – he tells us that rock & roll is lifeless, but we need to take part and sing alongside to the music.

Pietrini has crafted a posh and considerate Americana album with Rock & Roll is Lifeless. He lures the listener in with a Springsteen-esque blue collar rock opener, however as soon as we depart that “Lifeless Finish City,” we’re led on a journey of heartbreak, self-doubt, reflection, nostalgia and passionate love. All through the 12 tracks on Rock & Roll is Lifelessthe listener is invited to hitch Pietrini on a reflective journey by way of his life as a musician and a human being – one who has seen the highs and the lows, however most significantly, has discovered to understand the in-between.

“I do not suppose this life is for everyone, however I find it irresistible a lot and it does such good issues for me,” Pietrini says.

And with these phrases, it is protected to say that Milwaukee hasn’t seen the final of Pietrini. Regardless of the album’s catchy title, rock & roll is not lifeless, as confirmed by such music as this.

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